Benedetta Ending: Everything you should know!
Benedetta is a 2021 biographical drama film directed and co-written by Paul Verhoeven, starring Virginie Efira as Benedetta Carlini, a novice nun in the 17th century who lives in an Italian convent. and has a lesbian love affair with another nun.
The film is based on the 1986 non-fiction book Immodest Acts: The Life of a Lesbian Nun in Renaissance Italy by Judith C. Brown,
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And Verhoeven’s previous film Elle, in which the producer Said Ben Said, writer David Birke, composer Anne Dudley, and editor Job Ter Berg.
Benedetta Movie Summary: What the movie is all about?
Benedetta Carlini was an actual nun in Pescia, a small village in northern Italy in the early 17th century. He reportedly had an affair with a nun while she was abbot of the Convent of the Mother of God,
And when the papacy learned of it she was removed from her rank and imprisoned. He also reported having visions and even getting stigma. In 1619, she claimed that Jesus himself had come to visit her,
Who told Benedetta that he had to marry her. People began to question Benedetta’s proclamations, and the ensuing investigation revealed the forbidden relationship.
Benedetta Ending Explained: What happens with Bartolomea?
Within a span of two hours. Verhoeven makes sure not to bore us and throws in some funny one-liners and staged scenes. They have maximum impact in all the right settings, keeping the pace of the film fast regardless of its length, as something new is always cooking.
During the final stages of the film, Benedetta takes her tough stand against the authorities concerned, but now has almost no nuns on her side. When the case of Benedetta and Bartolomea becomes public,
It does not go down well with the population of the time, for obvious reasons. After Sister Christina commits suicide, Sister Felicita feels guilty for not defending Christina when she tells that Benedetta healed all her injuries by seeing a piece of glass near her feet was pretending.
Bartolomea is left alone, convinced that Benedetta was spreading lies. She is forced to wonder if their connection was real or she was just a pawn in Benedetta’s plan. The final fate of the two characters is a touching commentary on the disillusionment of trust and love.
At the end of Benedetta Nuncio asks Benedetta if he is going to end up in Heaven or Hell. Benedetta replies that he will go to heaven, which Nancio believes is wrong because of his corrupt actions in the past.
Through these scenes, the director does not attempt to question the authenticity of Benedetta’s mystical experiences but asks the audience to consider his interpretation of God’s will and how it is told to us.
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At once both innocent and traumatized, Bartolomea (Daphne Patakia) is a natural foil for Benedetta, who often seems to be victimized by her innocence. There’s an instant jolt of intimacy between these two beautiful ladies,
Though Verhoeven and co-writer David Birke are careful that it never erupts too emotionally. They care about each other, but their bond rests less on romance than on erotic religiosity; Benedetta’s heart belongs to Jesus,
And she tries to punish any stray thoughts with physical pain. After all, suffering is the way to know Christ, but what is Benedetta doing to make him happy?
Verhoeven explicitly rejects the idea that our bodies are not meant to be enjoyed – his argument is reinforced by a hyperbolic third act that depicts naked young women for the festivities of Christopher Lambert and the Black Death.
Religious bargaining required Benedetta to reach a similar conclusion. There is no psychology here, only Machiavellian power that spirals out of control when their influence spills over the streets of Italy and is soaked with blood-red skies above.