House of Gucci Ending: Everything you should know!
House of Gucci is a 2021 American biographical crime drama film directed by Ridley Scott, based on the 2001 book The House of Gucci: A Sensational Story of Murder, Madness, Glamour, and Greed by Sarah Gay Ford.
The film follows Patrizia Reggiani (Lady Gaga) and Maurizio Gucci (Adam Driver) as their romance turns into a fight for control of the Italian fashion brand Gucci. Jared Leto, Jeremy Irons, Salma Hayek, and Al Pacino also star.
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House of Gucci Ending Explained: What happens with the Gucci Family?
The House of Gucci is a dramatic account of how Reggiani planned to kill her husband, Aldo’s nephew Maurizio Gucci, played by Adam Driver, and is based on Sarah’s book The House of Gucci: A Sensational Story of Murder.
Based on Madness, Glamour, and Greed. Gay Forden. The Gucci family has long been critical of the film, describing it as “terrible” and “ugly” when it was still in the production stages.
Reggiani has also spoken out against the film, telling ANSA that she was “annoyed” that Lady Gaga had not met her before portraying her on-screen.
“It has nothing to do with money because I won’t take a cent from the film,” said Reggiani. “It’s about common sense and respect.”
At House of Gucci, De Soul worked at the company long before Maurizio considered joining. De Soul can be seen at all Gucci family gatherings, notably seeing Paolo and working closely with Rodolfo.
In real life, however, de Soul has had the Gucci family as a client for years, helping them through their restructurings. At Rodolfo’s insistence, De Soul later joined the Gucci company, but he did so only in 1984 when Maurizio started the family business.
When we come back to her in the moments after Maurizio’s death, she gets out of the tub and is writing in her diary, mumbling the word “Paradiso” (Italian for “heaven”) within its pages. Still working.
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The moment also has a double meaning; Patrizia may be nodding her ex-husband’s spirit to board another plane, or to reach an awakened state of peace now that she has exhausted the source of her troubles.
An earlier scene that shows Patrizia and Pina discussing their solution while bathing in the mud at a spa emphasizes that it is probably the latter, as Patrizia’s version of Bentvigna describes the moment as her own.
Sees it as the final battle in the Crusades. Before he went ahead with his plan. Patrizia makes one last attempt to win Maurizio back. One night, she shows up at his former home in Milan, where he now lives with Paola. S
he is leaving dozens of messages on her voicemail machine that alternate between solicitations and threats. Outside the door, she tries to appeal to his sentimental side by talking about how much her daughter misses her; When that doesn’t work, she presents him an album of family photos. Maurizio is immovable.